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The Giselle Clarkson Comic: Number 6
Illustrator Giselle Clarkson shows us how books can be read differently each time … and why sometimes this is advised.
Illustrator Giselle Clarkson shows us how books can be read differently each time … and why sometimes this is advised.
One of the lessons of childhood is that not everything has a happy ending. Or a tidy ending. Or an ending that can be understood … Here’s Giselle Clarkson celebrating the inexplicable pull of ambiguity, and those books that invite…
Cat Chapman is an Auckland freelance illustrator, having discovered her skills whilst doing a course in picture-book illustration with Sandra Morris. Her illustrations have a relaxed, friendly feel, with welcoming characters you might recognise, places you might go. She has…
Author and illustrator Paul Beavis shares the behind-the-scenes work (and doubt, angst and inspiration) that goes into making his picture books, like the just-released What Are You Supposed to Be?.
As part of our coverage of this year’s NZ Book Awards for Children and Young Adults, we asked the five finalists of the Russell Clark Award for Illustration to interview each other. Here’s Kieran Rynhart, David Elliot, Toby Morris, Jenny…
Our illustrator Giselle Clarkson continues her attempts to cling to childhood innocence. This time, she delves into the deep, dark depths of another Judith Kerr classic, The Tiger Who Came to Tea.
Sally Rippin is one of the Big Names in Australian children’s books. Christchurch librarian Zac McCallum interviewed her to celebrate the launch of her newest junior fiction series, Polly and Buster. It’s about a secret friendship in a world where…
Lily Max author Jane Bloomfield caught up with UK author/illustrator Lauren Child during the recent Auckland Writers Festival. We captured some of their fascinating whirlwind conversation here, learning about inspiration, thrillers, sunglasses and Seventies childhoods. I expected to feel incredibly…
This month, our illustrator takes on generational politics and the housing crisis, and comes up with a viable scapegoat …
In which our illustrator attempts to preserve her childhood innocence by living in denial for a decade.